Showing posts with label nora roberts. Show all posts
Showing posts with label nora roberts. Show all posts

Monday, 21 March 2016

Are you too old for a writing career?

Here's a question. It bugs me. Perhaps it bugs you too. I'm well past my first flush of youth, and life passes at a terrifying lightning pace. Do you feel that there's not enough time left to accomplish all your goals? Do you feel that, (being realistic, not sexist), as a woman, you get far too little time to write? Is it any easier if you're male?

This actually sounds like an Insecure Writers Support Group post, but it isn't. That's a couple of weeks away! 

I've read about writers with young children who can tap out the words on the kitchen table while havoc rules the house. That's some of you. That's not me. I like to shut myself away when I write, or take myself off to a cafe or library.

An author I greatly admire, Virginia Woolf, said in her essay, A room of one's own, (free e-book link), 'a woman must have money and a room of her own if she is to write fiction.' I'll be fine when the remodelling is done, but up till now, I've made do.

How do you sit with that one?


No question we're living in a youth-obsessed society. We celebrate and idolize young people who succeed in sports, business, and the arts. Facebook and Twitter feeds go viral with videos of impossibly young people doing impossibly impressive things. It stands to reason that we writers – who are, let’s face it, an insecure species, might feel some pressure to succeed before… well, before it’s too late.

Tick! Tick! Tick!
Bottom line, once you're into your 40s, 50s, 60s, 70s, 80s even, and have not yet been published – or perhaps have not yet finished your first book -- age  becomes an increasing concern. Wracked with insecurity, we ask ourselves: 

Is it too late? Am I too old to be published? Did I miss my shot?

SO IF YOU'RE A WRITER, DOES AGE MATTER?

Some say not as much as you think. But ageism is real. It exerts pressure on us in many aspects of our lives. But does it have to have that big an effect on us as writers? Maybe there actually are advantages to being an older writer. Huh? Say again!


ADVANTAGES OF HAVING SOME MILES ON THE CLOCK.

The Shell SeekersThey actually occasionally have panels at writing conferences with discussions such as “Debuting Over 40.” And if you look around at conferences, not everyone is young and incredibly attractive. Some are even older that we are! 

I'm a big fan of Rosamunde Pilcher who successfully debuted at...80!! (After a successful media career). And if you check the link you'll see she went on to write copious novels, most of which I've read. 

So...is there any advantage to debuting after 40?

I don't know about you. I always knew I was going to be a writer, but I struggled to find my writing voice in my 20s and 30s. I'd send off submissions to magazines and they told me to keep going which was all the encouragement I needed. But I felt I lacked life experience, so back to university for another course or two...then marriage and children and a teaching career,,,pens away for quite a few years.

By the time we sit down and seriously write, many of us have been through some pretty major highs and lows: illness, death, war, job failures and successes, raising children, moving house, time in the 'clink', a bad relationship – or two, or three, or four. All of this informs our world view, along with our writing.
I'm not putting down people who have been roaring successes at an early age – from Mary Shelley to Norman Mailer to the Beatles. Some people have already lived extraordinary lives before they’re 20, or are incredibly talented or got the breaks. But I think the average 40-year-old has a deeper emotional well to draw from than the average 20-something.
But beyond life experience, there are other advantages to being an older writer. Maybe you have developed some deep expertise that you can use in your storytelling like Tom Clancy with his techie details to essentially create a new genre of thriller. (BTW, he was in his late 30s when he debuted.) Perhaps your experiences, expertise and social connections have given you a basis for the dreaded P word: platform. You also might have more savvy business skills, and therefore better equipped for the unique challenges and hurdles you’ll face in the ever-changing business of publishing.
Image result for image of bottle of aged wineSeeing headlines about yet another 20-something wunderkind who just signed a bazillion-dollar book deal can be daunting (okay, even flat-out soul-crushing, and insecurity inducing). But if you started later – or who are simply taking longer to get where you want to go – give yourself a break. Instead of worrying about being too old, try thinking of yourself as aging like a fine wine.

Love that image!

WRITERS ARE A SPECIES APART
Beauty is an advantage in ALL aspects of life – that’s just a given. But I think it’s different for writers. Here’s why: unlike other areas of the arts – particularly music, TV and film – writers are not under as much pressure to be young and beautiful. That’s because the focus is not so much on what writers look like as on the stories that they create. Sure, youth, beauty and charisma can help a writer, and some publishers can be swayed by a pretty young face, but it’s generally understood that most writers are behind-the-scenes people, not rock stars.
Think about it.

Nora Roberts is a chain-smoking 65-year-old grandmother.
Clive Cussler is 84 and people still buy his books.
Janet Evanovich is 72 and
James Patterson is 68.

Readers don’t seem to think any of them are too old to write something they’d like to read. And Patterson published his first novel at the age of 29, but he didn’t quit his day job and start writing full time until he was 49.
So...if you’re young and gorgeous, work it. Absolutely. If you’re old and gorgeous, work it. But if you don't consider yourself gorgeous, don’t write yourself off. Your STORY is what’s important.

Here are some great links I found when researching for this article:

It’s Never Too Late: On Becoming a Writer at 50


  • How about you? Are you young, gorgeous and a successful author?
  • Do you sometimes wonder if it's worth trying to have a successful writing career?
  • Do you think age matters if you're a writer?
  • If you're a successful mature writer, do you have any tips for those less successful than you are?

Monday, 20 October 2014

"Anyone who tells you there's a right way to write is a lying bitch." - Nora Roberts. And Survive and Thrive Bloghop.



Hi everyone!

"Anyone who tells you there's a right way to write is a lying bitch." Nora Roberts

Get the message? Getting sick of those posts that start with..."The Secret to...", whether it's getting published, writing a best seller, formatting the best self-published novel EVER! The only secret to the game is getting it right. But that seems pretty elusive, at least to me.

Nora Roberts -- sitting pretty.
If, like me, you've been studying writing How-To books for years, you probably feel like me--there's so much between the covers you couldn't possible remember/do all that stuff. And some advice is downright contradictory, right? Maybe you pick up a couple of good pointers, but soon forget to actually apply them. And after all that, we're told to ignore all the rules!! Gah!!

How many times have I read--'show don't tell'? What does this actually mean? You can't write a whole book 'showing'. I read recently that all stories use a show/tell format -- (Manuscript Makeover by Elizabeth Lyon - you can download the pdf by clicking on the link), but this is rarely pointed out. But plucking out all that 'showing' when an editor points it out to you is very demoralising because we should know better, right?

WRITING TIPS THAT MIGHT WORK FOR ME - Keeping in mind I am a contemporary romance writer. Other genres may be different in their application. Enough of my yammering...here's my Secrets to... which are pretty basic, but they may help someone who is sweating over getting a novel finished.
    Image result for image of books and writers
  • Write with the reader in mind 
  • Make sure you have a hook at the beginning of your story
  • Dribble in backstory - no info dumps 
  • Something must happen on every page - what are those characters doing? CONFLICT!!
  • Occasionally surprise the reader - subvert/invert the scene
  • Make sure action comes before reaction 
  • Show, don't tell. (Had to say that)
Really, there are three main things for writers to do, isn't there?
  1. READ. I've got that covered big time. I've recently discovered NetGalley where a prolific reader can apply to read new books as long as they review them. I've just been sent Samantha Verant's Seven Letters From Paris. Can't wait to sink my teeth into that one...and review it. 
  2. WRITE. Oh wow! Really! Whatever works for you. But you can't be a writer unless you write. I've found ways to increase my writing hours per day. My motivation? I want to get my novel submitted before NaNoWriMo in November. I said that last November too! Same novel!
  3. Get meaningful feedback from trusted peers/writers and mentors/professionals. Not so easy. I recently asked several writer blogger friends to critique a chapter which I'd re-written so many times, had assessed at some expense by a manuscript assessor, had a multi-published writer (who is my new mentor thanks to RomanceWritersofAustralia) critique, yet my friends found line after line to pull apart. Very demoralising. Makes me wonder if I'll ever finish this book! 
The most useful how-to I've come across recently is the Margie Lawson DEEP EDITS system. Here is a link to a guest blog post that introduced me to her system. You can pay for several lectures and her system may help you become a NYT best-selling author.  She has many secrets for you.

So my friends, if published, what is your secret?
If not, do you have anything to add to my writing 'secrets'?


As I've travelled around the blogosphere this morning I've been commenting on post after post for the Survive and Thrive bloghop. By now you will know what it's all about--well, it's self explanatory really. I haven't read a post about skin cancer yet, so I thought I'd pop one in. Just in time. Two hours to go...

Australia is often referred to as the skin cancer capital of the world and Queensland where I live, is the skin cancer capital of Australia. Simple, really. We're north, closer to the Equator. It's nearly always sunny. We have a beach culture. We didn't know what damage we were doing to ourselves with long summer holidays at the beach when we were children. Skin cancer awareness is relatively new.

I've always thought I got away with my beach-babe teenage years but it finally caught up with me. One of my freckles started turning a little browner and growing sideways. My doctor sister-in-law saw it and said to have it checked. This is where the scary part starts.

My regular doctor didn't think much of my little old freckle. But I insisted on a biopsy. It came back negative for cancer. I insisted it was removed. They did the procedure reluctantly to shut me up. 

Result: Stage One melanoma! 

They hadn't taken the full freckle off in the biopsy so missed the cancer part. 

Now melanoma is the really, really scary one! It has four stages. Once you get past Stage One, the results aren't so good. If you're at Stage Four--goodnight!

Not pleasant having them cut a huge slice 5mls deep out of my arm, but better than the alternative. I can have plastic surgery if I want, but for now the scar is scarcely noticeable and a good reminder to me that I survived the doctor's diagnosis!

So I had another skin check with my doctor's skin specialist. All clear. I didn't believe it. He just used a magnifying thingo. Have taken myself off to a skin doctor who photographs your spots and blows them up, has a real good look and can easily track changes (ha ha). He picked up two more prospective melanomas and a couple more that will probably develop. So more surgery next week.

So if you live in a hot climate, be on the lookout. Don't listen to your doctor if you feel suspicious of a mole/freckle. Get a second or third opinion. 

Thanks to Doctor Covey, sister-in-law for saving me from moving past Stage One melanoma.

Don't forget to click on the link to read more potentially life-saving posts.

Tuesday, 19 August 2014

How times have changed...in the publishing world! From Daphne du Maurier to today.



Hi everyone!

I've been busy with the River City Writers Conference, (a few of you 'liked' some of the trillion facebook posts), a single day dedicated to writing workshops, networking, launching/buying books, chatting with editors and publishers...and eating and drinking and being merry!

Photo: Vaanguard Writers Group members @ River City Writers Conference. Thank you Raelene Purtill.
Members of Vannguard Writers Group @ the conference - 
Raelene, myself, Charmaine and Nas. 
(Nas is an honorary member of our Brisbane group)

We had some great presenters - Helene Young, pilot and author of a series of excellent romantic suspense single titles set in Queensland's wild, empty north where surveillance is key - Karen Tyrrell, author of 'resilience' books...2 adult (on overcoming mental illness) and 2 for children...one especially successful title Stop the Bully has gained her entree into schools and libraries - Antony Puttee, who runs an uber successful self-publishing one-stop-shop, Book Cover Cafe, who ran an awesome session on how to get your self-published book out there and how to get high Amazon sales - then our very own Nas Dean, helped me judge the flash fiction competition which ran in conjunction with the conference. Nas then presented her session on editing.

Nas Dean presenting on editing in the modern age

Nas' session on editing had some of the died-in-the-wool old-school publishing houses (who sent representatives to the conference to receive pitches from writers) screaming in frustration, claiming publishers did all the things the presenters had been claiming all day that writers did -- editing, promoting, book covers etc. This caused much merriment from those who had already told their story of the hard road of promotion even after being contracted to a publishing house. Obviously these guys have no idea how hard writers are doing it before submitting manuscripts in the faint hope of being picked up, and how little it is perceived that the traditional publishers do after buying rights to your book...(I'm no expert on this, having never submitted anything to an agent or publishing house!)

CLASSIC BOOKS Vs MODERN BOOKS

...Which brings me to some of the changes I see when comparing classic books to modern books. I read a lot of stories of how the old publishing houses used to treat favoured authors--the army of editors who went through the novel after submission, the pampering, the promotion etc. Don't many of us think these oldies were just pure genius? Well, it took a lot of help to polish that genius.

Today, many traditionally-published authors and self-published authors are doing it all/mostly by themselves, some by choice and some because they can't afford/don't see the need for even one editor. (My  opinion is everyone needs an editor, and most savvy readers can tell when this important step has been skipped). I've shared this before, but Margaret Mitchell (author of Gone With the Wind) re-wrote her first chapter 60 times. So these oldies but goodies still did the hard yards themselves before they were touted as overnight/on-going successes.


Along with several other books, I'm currently reading Daphne du Maurier's Frenchman's Creek, (1941). (Well, it does have French... in the title). This book is a classic passionate romance/adventure, one of her most popular novels -- on the best-selling list for thirty years!! But the beautiful Lady Dona and her French pirate adventurer would have been severely edited today.

We modern writers get slapped on the wrist if we carelessly 'head hop' even once in our stories - du Maurier and plenty of her contemporaries did this as a matter of course, and even modern best-sellling author Nora Roberts, a great favourite of mine, does it A LOT, especially in her romances.

Dialogue has changed too. Now we go through our manuscripts with a magnifying glass trying to find/slay most, if not all, dialogue tags, turning them into actions instead.

"Don't touch that!" Jack said to Kiddly Bop. ... becomes...
Jack ran across the room. "Don't touch that!" Kiddly Bop snatched his hand away from the grinding machine just before his arm was lopped off.
(I used the exclamation mark to upset all the 'no exclamation marks' modern rule!! as I think it is quite probable that Jack yelled in this situation.) 

But on p.62 of Frenchman's Creek I found this dialogue...exactly reproduced:
  'William, you are a genius,' she [Lady Dona] said, and he bowed, permitting himself a smile. 'I am pleased you are glad, my lady.'
  'How do I look? Will your master approve?' she asked him, turning on her heels. 'He will make no comment, my lady,' replied the servant, 'but I do not think he will be entirely indifferent to your appearance.'
So...if you don't know what's odd about the above, I'll leave you blissfully unaware. But I'll just say it caused me to be 'taken out of the story' which is the criticism I receive from critique partners whose job it is to make sure we don't commit such writerly sins.

Photo: Another book for my collection...FEMME , by Delia Strange. So pretty...Book launch @ #River City Writers Conference, Brisbane. @#writebytheriver #authorhappiness.
And of course I bought a book - Delia Strange's
FEMME. I'm quite liking the sci-fi romance genre.

  • Methinks it was somewhat easier to be an author in the olden days. What do you think? (And I don't mean -- of course it's not, it's a lot easier today to be an author as you can just self publish). I'm talking about the old style, the third person onmisicient POV etc. as compared to today's more stringent rules about everything.


Nas snapped us heading out to breakfast
Yes, the last bite of Winter was in the air.

Had a great weekend with Nas and Rajesh staying with us... and attending the River City Writers Conference. How was your weekend?