Showing posts with label Janet Evanovich. Show all posts
Showing posts with label Janet Evanovich. Show all posts

Monday, 21 March 2016

Are you too old for a writing career?

Here's a question. It bugs me. Perhaps it bugs you too. I'm well past my first flush of youth, and life passes at a terrifying lightning pace. Do you feel that there's not enough time left to accomplish all your goals? Do you feel that, (being realistic, not sexist), as a woman, you get far too little time to write? Is it any easier if you're male?

This actually sounds like an Insecure Writers Support Group post, but it isn't. That's a couple of weeks away! 

I've read about writers with young children who can tap out the words on the kitchen table while havoc rules the house. That's some of you. That's not me. I like to shut myself away when I write, or take myself off to a cafe or library.

An author I greatly admire, Virginia Woolf, said in her essay, A room of one's own, (free e-book link), 'a woman must have money and a room of her own if she is to write fiction.' I'll be fine when the remodelling is done, but up till now, I've made do.

How do you sit with that one?


No question we're living in a youth-obsessed society. We celebrate and idolize young people who succeed in sports, business, and the arts. Facebook and Twitter feeds go viral with videos of impossibly young people doing impossibly impressive things. It stands to reason that we writers – who are, let’s face it, an insecure species, might feel some pressure to succeed before… well, before it’s too late.

Tick! Tick! Tick!
Bottom line, once you're into your 40s, 50s, 60s, 70s, 80s even, and have not yet been published – or perhaps have not yet finished your first book -- age  becomes an increasing concern. Wracked with insecurity, we ask ourselves: 

Is it too late? Am I too old to be published? Did I miss my shot?

SO IF YOU'RE A WRITER, DOES AGE MATTER?

Some say not as much as you think. But ageism is real. It exerts pressure on us in many aspects of our lives. But does it have to have that big an effect on us as writers? Maybe there actually are advantages to being an older writer. Huh? Say again!


ADVANTAGES OF HAVING SOME MILES ON THE CLOCK.

The Shell SeekersThey actually occasionally have panels at writing conferences with discussions such as “Debuting Over 40.” And if you look around at conferences, not everyone is young and incredibly attractive. Some are even older that we are! 

I'm a big fan of Rosamunde Pilcher who successfully debuted at...80!! (After a successful media career). And if you check the link you'll see she went on to write copious novels, most of which I've read. 

So...is there any advantage to debuting after 40?

I don't know about you. I always knew I was going to be a writer, but I struggled to find my writing voice in my 20s and 30s. I'd send off submissions to magazines and they told me to keep going which was all the encouragement I needed. But I felt I lacked life experience, so back to university for another course or two...then marriage and children and a teaching career,,,pens away for quite a few years.

By the time we sit down and seriously write, many of us have been through some pretty major highs and lows: illness, death, war, job failures and successes, raising children, moving house, time in the 'clink', a bad relationship – or two, or three, or four. All of this informs our world view, along with our writing.
I'm not putting down people who have been roaring successes at an early age – from Mary Shelley to Norman Mailer to the Beatles. Some people have already lived extraordinary lives before they’re 20, or are incredibly talented or got the breaks. But I think the average 40-year-old has a deeper emotional well to draw from than the average 20-something.
But beyond life experience, there are other advantages to being an older writer. Maybe you have developed some deep expertise that you can use in your storytelling like Tom Clancy with his techie details to essentially create a new genre of thriller. (BTW, he was in his late 30s when he debuted.) Perhaps your experiences, expertise and social connections have given you a basis for the dreaded P word: platform. You also might have more savvy business skills, and therefore better equipped for the unique challenges and hurdles you’ll face in the ever-changing business of publishing.
Image result for image of bottle of aged wineSeeing headlines about yet another 20-something wunderkind who just signed a bazillion-dollar book deal can be daunting (okay, even flat-out soul-crushing, and insecurity inducing). But if you started later – or who are simply taking longer to get where you want to go – give yourself a break. Instead of worrying about being too old, try thinking of yourself as aging like a fine wine.

Love that image!

WRITERS ARE A SPECIES APART
Beauty is an advantage in ALL aspects of life – that’s just a given. But I think it’s different for writers. Here’s why: unlike other areas of the arts – particularly music, TV and film – writers are not under as much pressure to be young and beautiful. That’s because the focus is not so much on what writers look like as on the stories that they create. Sure, youth, beauty and charisma can help a writer, and some publishers can be swayed by a pretty young face, but it’s generally understood that most writers are behind-the-scenes people, not rock stars.
Think about it.

Nora Roberts is a chain-smoking 65-year-old grandmother.
Clive Cussler is 84 and people still buy his books.
Janet Evanovich is 72 and
James Patterson is 68.

Readers don’t seem to think any of them are too old to write something they’d like to read. And Patterson published his first novel at the age of 29, but he didn’t quit his day job and start writing full time until he was 49.
So...if you’re young and gorgeous, work it. Absolutely. If you’re old and gorgeous, work it. But if you don't consider yourself gorgeous, don’t write yourself off. Your STORY is what’s important.

Here are some great links I found when researching for this article:

It’s Never Too Late: On Becoming a Writer at 50


  • How about you? Are you young, gorgeous and a successful author?
  • Do you sometimes wonder if it's worth trying to have a successful writing career?
  • Do you think age matters if you're a writer?
  • If you're a successful mature writer, do you have any tips for those less successful than you are?

Wednesday, 1 August 2012

Insecure Writers Support Group - Creating a Sense of Place


It's the first Wednesday of the month - that means I've been in Fiji for a month (gulp - where did the time go?) and also time for the post for Insecure Writer's Support Group. Click on the badge above to go to lots more posts.

Today is also the Bombshell Launch Party for blogger Madeleine Maddock's ebook, Ultimate Sacrifice. I'll be doing an interview with Madeleine on Monday 6th August. For the full schedule, go here. Good luck Maddy!

Available at Amazon.com   Amazon. UK  Amazon FR     Amazon de

Today let's talk about creating a perfect story (I wish.) But at least we can try to get all the elements we need...

Stories we write are anchored in a specific time and place. That doesn't mean shutting your eyes and jabbing a pin on a map and deciding you'll set your story in the Arctic Circle. No, your story is an entity, and as well as having that story idea, those characters already popping up demanding to be included, you have to have your story and your characters set in the right place.

Think about some of our favourites...can you imagine Wuthering Heights anywhere else but on the wild gothic moors of Charlotte Bronte's 19th Century Yorkshire? Could Oliver Twist be set anywhere else but Dickensian London? Thinking modern now - can you separate Janet Evanovitch's Stephanie Plum from her Trenton, New Jersey roots? What about Alexander McQueen's lady detectives? Don't they just work in Botswana?

Now your mind is racing along and you'll be thinking of your favourite stories - yes, their sense of place is all-embracing. It encompasses not only the physical, but the socio-economic, the cultural, the physical, the language, the politics, the weather, the mood of the place. (And if you're writing fantasy and you're creating a whole world, you need to think about all these things too. If your world boasts triple sun, you've got to know how that affects the people, the seasons, how the shadows are cast.)

"Place...makes the characters real...themselves...[Place] never really stops informing us...it is astir, alive, changing, reflecting, like the mind of man himself." Eudora Welty.

Travelling helps to find that perfect merging of place, characters, plot. As we travel we see the unique, the ridiculous, the different, the quixotic...we see stories everywhere, at least I do.

While cruising the Fiji Islands (sorry, lovely image isn't it?) I came across this unique sight - Fijian locals serenading arriving travellers to their island, Mana Island. Amongst the melody-makers here's this white guy, terribly-bad sun-scorched skin. What's he doing here in this incompatible climate? He looks happy, joyous even. Great story. I've got to write it...And why don't the Fijians wear hats in the boiling hot sun? (Generally it's a cultural thing - insulting to the Chief. Once you could have been cannabilised for just wearing a hat or touching the Chief's head.) I'll tell you, I got quite a headache walking around a Village with no hat on...


  • What about you? Do you think place in your stories is terribly important?
  • If you write fantasy or sci-fi, do you spend ages world building, getting it right?
  • Do you enjoy stories with a great sense of overall place, where it all comes together?