Showing posts with label #rewrites. Show all posts
Showing posts with label #rewrites. Show all posts

Wednesday, 1 June 2022

#IWSG JUNE POST - IS ANY WRITING EVER WASTED?

 Hello and welcome to the June IWSG where writers gather around the campfire and discuss the ups and downs of the writing life. It goes without saying that the purpose is to encourage each other. I know I always learn something! 

Alex's awesome co-hosts for the June 1 posting of the IWSG are SE White, Cathrina Constantine, Natalie Aguire, Joylene Nowell Butler, and Jacqui Murray! If time allows, please visit them.


I'm not answering the question today. 

I haven't been able to get Michael di Gesu's last IWSG post out of my head all month. Michael posed the question - 'when is it time to do a complete rewrite of your novel?' 

Michael went on to say - 'Originally I wrote this [Mommy Kay] as a memoir and had sent it to a top editor in NYC. She made several suggestions and I was almost finished when the person I am writing about decided she wanted changes. MAJOR changes.' Which to me, Denise, tore the heart out of the book.

My heart plummeted. What a situation for Michael to face. I know he'll come to a positive conclusion, but at the end of the day, he's potentially faced with three years of his writing life coming to naught. 

Or is he?

I've always believed that writing is the best way to learn your craft. I struggle to make sense of the craft books that line my shelves - I don't have the brain for them - people are always saying - read this or that - my brain fizzes, probably because I'm basically a pantser, or Discovery Writer - trying to be a plotter. Which only works for me as I have two sharp critique partners who love structural editing and walk me through the 'beats' of a good plot. Painful, but you've gotta do it as readers are smart people, they know when a 'beat' is missing.

So I think I wrote Ray Bradbury's 'million bad words' before my writing approached competency. I have about 5 books I haven't touched yet, but I'm powering on with new ideas. Now the flow is much easier. The six books I published in 2021? Most were begun in 2016 when I didn't have much of a clue - so a long hard road to getting it anywhere near right. 

There are mainly two lines of though re a deep re-write. The self-publishing gurus at 20Booksto20K FB group recommend forgetting about published stories full of holes which you recognize after you've become a better writer. Just get on and write the next book, and the next. Whereas others recommend making those changes that annoy you or perhaps reviewers found irritating. (For a list of sites which help the self-publishing journey, click on the image in my sidebar where I gathered them together for Damyanti @Damyantiwrites).

I did a re-write on my first of series vampire novel, Betrayed, because I couldn't not,  mainly sharpening up the beginning. Edition 2, according to Amazon. Along with a more 'to market' cover, time will tell if a new set of ads will make the time invested worthwhile. (((shrugs))) Who knows?


With traveling and having the flu, I was out of writing commission for 5 weeks, so now I'm playing catch up. One of the things I did was to make a page of My Books, where all my publications, or soon-to-be publications are in one place. I hope you'll take a peek. If a book appeals to you, contact me in the comments or via email and I'll send you a free copy if you'll review it for me. As a beginning self-published writer with a small fan base, gathering reviews is the hardest part. The good news is that I'm going to cut down on the 5 years I polished these 6 books. The companion book to 'Paris Dreams' will take me a year at most. Whoop-de-do.

But back to Michael. To re-write or not, that is the question?

What do you think? I'm sure Michael would appreciate your input along with moi. (I've added the link to Michael's post above).

~*~

And always with the WEP. Today the first post of the month goes live. If you want to sharpen your skills, or get eyes on your new WIP,  you're welcome to post an extract.



Thanks for coming by.

Denise 


Wednesday, 6 April 2022

#IWSG April 2022 - #amwriting too much?! Rewrites, new story, new book.

 Hello all!

Time for the April #IWSG. I've been so busy with writing, I hardly noticed March slipping by.


Alex's awesome co-hosts for the April posting of the IWSG are Joylene Nowell Butler, Jemima Pett, Patricia Josephine, Louise - Fundy Blue, and Kim Lajevardi! Thanks ladies!

I'll skip the audiobook question as that's far from my reach at the moment. I know they're popular - not with me - give me a book to read any day, but I know lots of people love them, and for some, it's the only way they can fit reading into their busy schedule. Someone who is blind, or partially blind, must thing audiobooks are the best!

I'll be so interested in reading the posts and see what everyone thinks.

Skipping the audiobook question means I have to think of something else to say. Hmm. 

My biggest faux pas for the month of March was dawdling over rewrites for Betrayed, then finding out it's been chosen for the #iwsgbook club for April. I quickly published the revisions (which aren't live yet), but not the new cover which is not yet ready. 

Maybe my problem is I do too many things at once - as I'm traveling for most of April, I've been getting ahead of myself. I've been writing a #flashfiction for the WEP challenge - A Hard Rain's Gonna Fall, rewriting Betrayed, my beloved vampires, writing my next Paris foodie novel and getting feedback from my critique partners along with actually giving some time to my family and friends, LOL. 

I think that's enough.

Hope you'll join us for the WEP challenge for April which is held alongside the busyness of the A - Z Challenge. Some make it work for them by using the same letter.


A Hard Rain’s Gonna Fall, described as the ‘most idiosyncratic protest song ever written. Bob Dylan, the Nobel Laureate and another 60's icon, wrote, composed and sung it in 1962 when he was only 21. It’s been covered by many artistes including Pete Seeger, Joan Baez and has never really stopped being sung ever since.

The form is modelled on the traditional ballad in the question and answer format, the themes being human suffering – pollution, warfare, isolation, angst. Sixty years after Dylan presented it at a performance at Carnegie Hall, the lyrics are striking in that how relevant they are today, how contemporary their feel and the depth of their appeal. Read more about the song here and here.

Love to read your response to this ever-popular Bob Dylan ballad.