Thanks for coming by. I'd love a comment about my story.
“It’s very easy to quit during the first ten years of writing. Nobody cares whether you write or not, and it’s very hard to write when nobody cares one way or the other. You can’t get fired if you don’t write, and most of the time you don’t get rewarded if you do. But don’t quit.” Andre Dubus
Monday, 19 February 2018
Thanks for coming by. I'd love a comment about my story.
Wednesday, 7 February 2018
It's our favorite time of the month again. Thanks to Alex J Cavanaugh, we have the IWSG, ably assisted by an awesome team of writers/bloggers and monthly helpers. This month, helping are Stephen Tremp, Pat Garcia, Angela Wooldridge, Victoria Marie Lees, and Madeline Mora-Summonte! Try to visit each if you can.
I'm so pleased you rushed over to read my post, but it'd be really lovely once you finish if you'd CLICK on the badge and read some more entries.
February 7 question - What do you love about the genre you write in most often?
I belong to several Facebook writers' groups, and a thread was begun on one recently around whether you should write what you like because you love it, or whether you should write what's hot, what sells, what the market wants.
Okay, we could get on our writer professional high horses and say, what??? Surely all writers write what they want, but, according to this group who like to make a ****load of money from the pen, they study the market, study their own books, to see what's selling and what isn't. There's all sorts of detailed ruminations about choices which made my eyes water and my brain shut down, but I see their point.
F Scott Fitzgerald famously wrote commercially to make enough money to keep he and his wife, the famous Zelda, living the high life, but always, whether in a villa in the South of France or an apartment in Paris, he was working on the novels he wanted to write. We remember him for The Great Gatsby and This Side of Paradise and other greats; we don't remember him for his commercial work for newspapers and magazines, but he totally had a right to make enough to eat and drink and party hard. How else could he have written The Great Gatsby where Jay Gatsby is supposedly him?
So, why do I, Denise Covey, write what I write?
Most people who know me know I love Paris but not so much that I love Italy, too.
Hey, that's how I knew that the love locks that were removed from the Pont des Arts had
been moved to Pont Neuf, the next bridge. Paris without love locks? Pfft. Read my short story here which showcases the locks. That's great work if you can get it. And who knows, I might actually sell a book or two set in Paris one day.
So look out for An American in Paris (still with Avon) and Le Petite Paris Cookery School under construction. Both I adore.
And I also adore Italy, which always speaks to my dark side while Paris speaks more to my frivolous side, or something. I imagine all sorts of weird stuff happening in those dark Italian forests and mountains. Which is why I write Paranormal Romance. Starting with a short story I began in 2010!!! I actually self-published my first completed paranormal novella in, ahem, what was it? 2015 I think. I let it sink without trace, always planning to rewrite it to the MARKET. Which I'm now doing. It's now a 27,000 word novella under critique with my awesome 'critters' after having been edited by a pro.
The cover will have shades of this quick mock up...
So, that is a little about why I write what I write. Then there's the travel articles and short stories that occasionally put some money into my bank account. That's commercial, right.
Look, I don't know if I got off topic, but we're all good at skim reading, so I hope you saw something in this post. It'd be pretty hard for a writer to write completely to the market. You've got to have something to feed the soul.
- How about you? What do you think about writing commercially?
- Why do you write what you write? Do tell....
Wednesday, 3 January 2018
#IWSG post - What steps have you taken or plan to take to put a schedule in place for your writing and publishing?
- So, my Paris romance (75,000+ words) is still with Avon and Tule. Waiting to hear.
- It seems to be generally accepted that you need to self-publish more than one novel or it's not worthwhile, so I'm also working on getting the next vampire novel in the series finished and at least Chapter One on the third before I publish. We'll see.
- I've decided to go with a pen name for my vamp trilogy. I checked out the top-selling vampire novels on Amazon and the authors have very apt names. I started a thread in the facebook group I mention below and got 250 useful comments on the ways and means of pen names. So that means an author page on facebook, and a newsletter I guess, (jury's out on this one), all to garner interest before I self-publish.
And please, if you have a newsletter, would you answer the following:
- who did you choose to go with?
- how did you grow your reader base?
- how often do you send out your newsletter?
- er, do you actually recommend a newsletter? I know heavyweights like Anne R Allen say it's old hat, but that's not what I'm hearing elsewhere.
Monday, 18 December 2017
‘I had it engraved,’ he says.
|Love locks on the Pont Neuf - corridors and corridors of them leading down to the Seine.|
Taken by moi in September, 2017.
Wednesday, 6 December 2017
Hello all! Remember me? Probably not, so I'll be chatting to myself. I've missed the past two IWSG posts, being busy meeting writing deadlines and travelling. So I'm glad to be back and look forward to reconnecting and doing a great lot of reading.
Alex's awesome co-hosts for the December 6 posting of the IWSG are Julie Flanders,Shannon Lawrence, Fundy Blue, and Heather Gardner! Try to visit if you have the time.
I'm so rusty at this, I actually went to the IWSG Page and checked out the question of the month, something I don't usually do, but I think it's a great idea when you're stumphhed for what to be insecure about, LOL!
- So, now tell me, are you insecure about anything?
- What would you change about 2017 if you could?