Friday, 5 October 2012

#RomanticFridayWriters - Challenge No 46 - Birthday Madness. 'Satin Sheets to Cry On.'


It's RomanticFridayWriter's time! This challenge is to write 400 words of prose or poetry to the prompt, Birthday Madness. All my attempts were rubbish, so in desperation I've reworked a much earlier story so it fits the theme somewhat. I hope you enjoy my story based on the delightfully dreamy Country and Western song, 'Satin Sheets', sung by Jeanne Pruett and others.


'Satin sheets to lie on
Satin pillows to cry on
Still I’m not happy can’t you see?'

‘Angelique! Stop with that maudlin rubbish!’

‘What’s wrong with country music, Antoine?’

‘It shows your roots.’

‘That’s mean.’

‘Enough of your teary eyes and dreamy looks. It’s party time.’

‘I’m not going!’

‘It’s my birthday. I brought you something to wear.’

‘Again?’

‘We can’t have anyone outshining you my dear, especially Lady Rushmore.’

‘And I care?’

‘It’s time you did. It’s what keeps you in trinkets.’

‘I don’t care for those things.’

‘But you do. You’re the perfect model for the fine things in life, Glamourpuss.’

‘Is that why you married me?’

‘And to save you from that cowboy you still pine for. Ha! He could never afford to shower you with expensive gifts. You’d still be wearing torn jeans.’

‘I remember you walking into that bar and heading straight for me. You couldn’t keep your hands off my torn jeans.’

‘And Randolph didn’t like it, did he? But he was too busy wailing all that country music to all those women falling at his feet. You stood out from the crowd.’

‘So did you in your business suit and sawdust on your fancy shoes.’

Antoine reached into the pocket of his tux and drew out an exquisite box scrolled in gold script - Cartier.

“For you.’

‘But it’s your birthday. This makes my present look pathetic.’

The box sprung open to reveal a necklace of sparkling diamonds.  She looked at her husband and was stunned to see the adoration in his eyes. Does he actually love me? Why can’t he convey his love without expensive gifts?

‘Don’t cry darling girl.’

‘Why? I’ll offend Lady Rushmore?’

He kissed her, lifted her blonde curls and gently hung the diamonds around her neck.

‘No, my love, you’ll terrify me that you’re going to leave me for that guitar-strumming poseur. The only gift I crave is your promise to stay with me forever.’

‘Lead me to your Cadillac, darling. I’m not going anywhere.’

‘I know how that song ends.’

‘How?’

‘You want me to set you free.’
  
‘Walk away from all this?’ She swished her red satin gown, shrugged into her white fur stole, then clattered across the room in her black stilettos. ‘Why would I want to be set free? To starve with Randolph?’

But Antoine heard the catch in her voice.

She was leaving him…though he’d given her everything that money could buy.

©DeniseCovey2012

WORD COUNT: 409
FCA


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Wednesday, 3 October 2012

Insecure Writer's Support Group Post - exploring your creativity within a writers' group.


Aren't the months whizzing by? First Wednesday of the month again, so it's time for Alex J Cavanaugh's IWSG. Here we are to post about what we're insecure about re our writing, or post something that will help our writing buddies out there.
I'm not at home, so have no access to all my stuff, and I know I promised to continue my 10 sneaky tips for writing that novel quickly, but something else is burning on my mind today...

Perhaps the best tip I can offer to give your writing career a boost, or get it started in the first place, or to give you that encouragement you need in the face of rejection is to  - JOIN A WRITING GROUP. Not any old writing group, but one that is just made for you. 

It can be problematic finding a writing group, finding a critique group, finding even a critique partner - all these things are fraught and need to be a good fit, otherwise they detract from our writing career. So today I'll give you my experience of joining a writing group. You may take away something helpful and that is all I ask.

I am a proud member of the Vannguard Writers Group.

Some of us in our favourite hats for our 'hat' writing exercise
I've been a member of the Queensland Writers Centre for sometime. A great resource for writers and just across the river, a 5 minute walk for me. It offers the most amazing courses/workshops/seminars all year round, and as selling short stories is my bread and butter, I decided to attend a Short Story 4-week course earlier in the year. The course was fabulous, but the best thing was that we were a group that jelled right from day one - not everyone of course - but about 8 of us didn't want the comaraderie to finish, so we decided to keep meeting at the same time as our regular courses - each Wednesday from 10.30 - 12.30. As our wonderful tutor was called Meg Vann (who is the incoming CEO of the QWC), we called ourselves Vaanguard Writers. Boy, are we an interesting crowd!

Paul Smith turned up one day in full  gangster garb as he's written a detective novel (and has been a  Private Investigator).

We have been meeting for 6 months or so now. Our major mission is a collaborative project of writing a fantasy novel. We have each taken part in creating the world, and have chosen our characters to place within the world. When our group meets, we devote half of our time to our project and the other half to writing challenges which may/may not be related to our novel. But all improve our creativity. We usually have writing homework and post them up on our Facebook group page, linking to google docs.

Jamie got right into the spirit of things when Charmaine organised  a hat challenge, which she wrote about  here...

What else do we do? We encourage each other to send our work out there - we regularly swap competitions and opportunities and try to send work out there every week. 

We are a diverse group and have much to teach each other. We also bring along special activities to spur our creativity. Before we broke for our school holiday period last week, I brought along an activity which took us into the Queensland Art Gallery, right next door to where we meet in the State Library of Queensland.

The instructions were:
  • Choose a painting
  • Decide whether you're the painter, a character in the painting or an onlooker 
  • Write in first person present tense about what is happening...

I chose Tintoretto's Risen.  I am the sleeping  Roman soldier asleep in the bottom left of the frame. 

Jillanne chose John Faed's Annie's Tryst. 

Charmaine got quite carried away with her story which resulted in murder, mayhem and Gothic characters...

Raelene's The Eviction led to a powerful story from the little girl's POV.


So you can see we have a great time working on our craft at  Vannguard Writers Group . Watch out for our novel - should be out this century!

I hope I've encouraged you to explore your creativity, as that's what writing is primarily about.

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ANNOUNCING ROMANTIC FRIDAY WRITERS NEXT 2 CHALLENGES - OPEN TO ALL WRITERS OF PROSE AND POETRY:


This challenge is to celebrate the shared birthdays of your hosts, Denise and Donna. Perhaps you share an October birthday too? 


Have you ever been to a birthday party that was so extravagant it actually made you jealous? Create a story or poem in which a character goes to a birthday party that is completely out of his/her  league. This especially includes the present that you got this person. Totally inadequate :).



Get penning your 400 words of prose/prosetry now!

The Linky will go up today at Romantic Friday Writers.


CHALLENGE NO 47 - Friday October 19



It's Halloween!

Another FW/RU Challenge

We’re looking for chilling stories of ghosts and haunted locations – and maybe even love from beyond the grave. 
A romantic element is essential, but we’re looking for stories with a thrilling edge of fear to add to the romantic tension building between our Hero/Heroine.

Have fun with this one! 
Don't forget the Romantic Element!

Let your head go! 
You can write up to 1,000 words of prose/prosetry!

The Linky will go up on October 12 at RomanticFridayWriters.



Friday, 28 September 2012

Do editors know what readers want? Author Linda Gillard channels Jane Eyre. Do you prefer heroines or anti-heroines? Naughty or Nice?

Hello there!

Not so long ago I did a post on all of the fantasy books I've read on my holidays in Fiji. One of the novels was The Glass Guardian which I thought was amazing. I caught the author, Linda Gillard on Talli Roland's blog. Linda popped up in the comments which I thought was pretty cool. I returned the favour, and did a troll of Linda's blog, to find that she had some very strong opinions on creating heroines.

Linda was very happy to appear on my blog to talk about how she feels about her heroines and how her opinions may conflict with an editor.

We all know it's difficult  being a writer looking for publication. Well, according to Linda it can be hard for an author seeking publication - again and again. There are many frustrations along with the exciting stuff, but one thing that can cause conflict between writer and editor is that their agendas are different. 
So, Linda, what is this conflict you've become aware of between editors and authors?
A writer wants to write a great book, a bestseller would be nice, but the publisher's agenda is of course to sell as many copies as possible of that great book. Sometimes this leads to creative loggerheads over what readers want.
Don't editors know best?
I actually think they are out of touch with what readers want and they often lag behind the trends now being set by indy books. Editors' choices are now being driven by retailers (and in the UK that means the big supermarkets.) Something that the average reader doesn't grasp is that publishers aren't marketing to readers, they're marketing to retailers. If the book chains and supermarkets won't take your book, it's dead in the water. Retailers like genre fiction, with everything very clear cut. They want to know what shelf to put it on. 

I think it's probably just conservatism. Editors don't like taking risks with female characters in women's commercial fiction. Heroines have to be likeable. Ideally, they must also be morally spotless. It's a given that they should be youngish, thin, gorgeous (or at least pretty!) but it's also expected they should be good. A nice mix of Pollyanna and Mother Theresa, with the addition of sex appeal.
Linda, how would you describe your heroines? From reading 'The Glass Guardian' I suspect you reject the accepted stereotype of accepted heroine.
You're right Denise. I write about spiky, awkward, real women and most of them aren’t young, pretty or thin, which only compounds their felonies. The heroine of STAR GAZING is middle-aged, widowed and blind and she’s not too happy about any of that. (In fact the Scots hero describes her as "crabbit".) Over the years my heroines’ bolshy behaviour has led to some editorial conflict as I’ve resisted attempts made by patient and longsuffering editors to make my female protagonists nicer.
Do you consider 'nice', boring?
It’s not just that I think, in fiction, nice is generally boring. It’s that I’m steeped in the classics and know niceness is not necessary; that many a book has stood the test of time despite the heroine’s lack of social skills.
Can you give us some examples from the classics of the type of heroine you're alluding to?
Let’s face it, Jane Eyre is not exactly Miss Congeniality. And I'm surely not the only one who’d like to slap Emma Woodhouse. Cathy Earnshaw is a minx at best, demon at worst. Becky Sharp, Anna Karenina, Emma Bovary, Scarlett O'Hara, Tess D'Urberville … none of them would have made Head Girl. Even everyone’s favourite, Elizabeth Bennet, is tricky. At a time when marrying for love was just a fanciful notion, turning down Collins' marriage proposal was a selfish act that would rebound on her large and impecunious family. But we love her anyway.

These problematic heroines haven’t exactly blighted the books in which they appear. On the contrary, they are the reason we read and re-read. We relish their complexity, their guts and their moral ambiguity

Why do you think our concept of the ideal heroine has changed?
Times have changed. There seems to be a belief now among editors of popular women's fiction that female protagonists must set some sort of example. They mustn’t drink to excess or swear; they mustn’t desert or even dislike their children; they mustn’t have casual sex and should always be kind to old people and animals. 
Do you think editors and publishers are guarding our morality?
It’s not that publishers see themselves as moral arbiters, rather they’re convinced readers won’t like a woman who is less than perfect, and if they don’t like her, they won’t like the book. I can see why they might think that. I'm astonished at the number of Amazon reviewers who rate a book according to how much they liked the heroine or whether she behaved the way the reviewer would behave.
Linda, do you have an example of an anti-heroine from one of your books who connected with readers?
 Sure. In my second novel, A LIFETIME BURNING, my anti-heroine Flora, a clergyman’s wife, commits every sin apart from murder, but when she dies, some readers cry their eyes out. I know because they've told me. They don't like Flora, but they do pity her. 
Now call me old-fashioned, but I think evoking readers’ compassion is a higher goal for novelist and publisher than avoiding readers’ censure.  What I discovered when I went indy and put my books on Kindle (books every UK editor had rejected) was that readers loved my conflicted older heroines! The romantic heroine of HOUSE OF SILENCE has to choose between two very different men and she behaves in a way that some readers will find problematic, but HOS quickly became a Kindle bestseller and has brought me thousands of new fans.
I often like to think about some of our classics of the past and how they'd go about finding a modern publisher. Would Moby Dick find a publisher? The Great Gatsby? I somehow think not...
Yes, I think about this too. Sometimes I wonder how the Brontës’ novels might have fared in today’s slush piles. In an idle, possibly vengeful moment, I composed an imaginary rejection letter sent to an aspiring Charlotte Bronte. I tried to emulate the tone and content of the kind of helpful editorial feedback that many authors receive nowadays…

Dear Ms Brontë

We enjoyed your manuscript JANE EYRE. You write well and most of your characters are believable, but I'm afraid we found your plot relentlessly downbeat and depressing. Does Helen Burns really have to die? Does Rochester have to be blinded? A disfigured hero is not appealing and spoils your otherwise feel-good ending. We wondered whether superficial burns and a partial loss of sight would serve just as well?

We found Rochester himself problematic. He isn't likeable, nor is he physically attractive. He is wealthy (a point in his favour) but you fail to clarify whether or not Adèle is his illegitimate daughter. In short, he just isn't hero material.

Sadly, Jane herself is not very appealing as a heroine. She’s feisty, but physically unattractive and a little prissy. There's little for a female reader to identify with here. Something more upbeat is required for a romantic heroine. Readers might forgive Jane rejecting Rochester's immoral proposal, but to reject St John Rivers as well makes her look priggish and ungrateful.

You might want to think about demoting Rochester to a subplot and upgrading Rivers to main hero, perhaps dropping the unappealing religious aspect of his character. (No one loves a do-gooder.) You could then dispense with your frankly unconvincing plot device of Jane hearing Rochester call to her after the fire. (We don't think paranormal romance has a future.)

You write well and with passion, but JANE EYRE belongs to no clear genre and this would make it extremely difficult to market. Sorry not to be more encouraging, but in a fiercely competitive field, a romantic novel has to have stand-out qualities to be commercially viable.

Thank you for letting us read your manuscript.

Yours sincerely
A N Editor.


Thanks so much Linda for visiting my blog today. If you want to check out Linda's books, follow the links below. Don't miss her new release,  'The Glass Guardian'. 


Ruth Travers has lost a lover, both parents and her job. Now she thinks she might be losing her mind...

When death strikes again, Ruth finds herself the owner of a dilapidated Victorian house on the Isle of Skye: Tigh na Linne, the summer home she shared as a child with her beloved Aunt Janet, the woman she’d regarded as a mother. 

As Ruth prepares to put the old house up for sale, she’s astonished to find she’s not the only occupant. Worse, she suspects she might be falling in love... 

With a man who died almost a hundred years ago.



www.lindagillard.co.uk

You can buy Linda's books on Amazon  $2.99









Linda Gillard lives in the Scottish Highlands and has been an actress, journalist and teacher. She’s the author of six novels, including STAR GAZING, short-listed in 2009 for Romantic Novel of the Year and the Robin Jenkins Literary Award (for writing that promotes the Scottish landscape.) STAR GAZING was also votedFavourite Romantic Novel 1960 - 2010 by Woman's Weekly readers.  

Linda's fourth novel, HOUSE OF SILENCE became a Kindle bestseller, selling over 20,000 copies in its first year. It was selected by Amazon as one of their Top Ten "Best of 2011" in the Indie Author category.

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ANNOUNCING ROMANTIC FRIDAY WRITERS NEXT CHALLENGES - OPEN TO ALL WRITERS OF PROSE AND POETRY:


This challenge is to celebrate the shared birthdays of your hosts. Perhaps you share an October birthday too? 


Have you ever been to a birthday party that was so extravagant it actually made you jealous? Create a story or poem in which a character goes to a birthday party that is completely out of his/her  league. This especially includes the present that you got this person. Totally inadequate :).

Get penning your 400 words of prose/prosetry now!


CHALLENGE NO 47 - Friday October 19



It's Halloween!

Another FW/RU Challenge

We’re looking for chilling stories of ghosts and haunted locations – and maybe even love from beyond the grave. 
A romantic element is essential, but we’re looking for stories with a thrilling edge of fear to add to the romantic tension building between our Hero/Heroine.

Have fun with this one! 
Don't forget the Romantic Element!

Let your head go! 
You can write up to 1,000 words of prose/prosetry!



  • Don't forget that next Wednesday, October 10, is Alex J Cavanaugh's Insecure Writers Support Group.





Monday, 24 September 2012

Spring has Sprung Down Under and a writer's thoughts return to the Brisbane Writer's Festival and Tall Stories and little ships...


Oh! Beautiful Spring! What better time to hold the Brisbane Writer's Festival - 5 days of writerly fun and games to welcome September. But you should have been there for the official opening... 

Germaine Greer likes to visit writer's festivals as she's written a book or two, and she might be able to sell a few. So someone thoughtfully asked her to open proceedings. They failed to note the evil look on her countenance for which they will forever rue the day. I saw it as I was lining up to have my copy of Peaches for Monsieur Le Curé  by Joanne Harris, the most popular book of the show, signed.

Clutching Joanne's book, I rushed to the opening where I'd planned to meet my blogger friend Charmaine who has recently become a Queenslander. Up there on the podium, I could see Germaine sussing up the crowd in that way she has, nodding her head, shaking her head. I knew we were in for a tongue lashing, as always. 'Just watch this Charmaine honey. You're in for a wild ride!' I said as I nudged her in the ribs, waking her from her bored napping.

Germaine creaked to the podium.

She berated her Queensland audience (with a few notable exceptions of exceptional writers from more academic climes - there was Joanne Harris from the Empirical UK, after all.) Joanne didn't mind rubbing shoulders with the colonials Down Under. After all, they were sending her books to the top of the best seller list as Australians, even Queenslanders, like to collect books! They look so pretty on the shelves, don't they, and a pile of print books comes in handy for that extra chair or keeping the fire going if you run out of kindling. Germaine was probably thinking - how dare those rednecks buy Joanne's books, but not hers! She had Queenslanders in her sights alright.

'47% of Queenslanders can't even read the newspaper,' she smirked, dodging the odd rotten tomato and raw egg. This was too much! She'd been discussing percentages with Mitt Romney again! 47%! This is where the US/Aussie alliance is worrying! Where do they pluck these figures from? The entrails of chooks?

'But doesn't she live in Queensland?' asked a bemused Charmaine.

'Yep. Work it out. That's why she's nuts, innit?'

That's when the screaming from the masses began.

'Fair go, mate! We didn't muck out the cow bails early to listen to this s*i@t!' yelled an irate granny in dungarees and headscarf, (she must have already read Peaches for Monsieur Le Curé) sitting two seats from me.

'Get orf!' yelled the farmer type in an outsize cowboy hat next to me, jangling his bridle and flicking the spurs he'd somehow managed to smuggle past security. I pulled my head in before I lost it.

'Get back on your horse, cowboy! 47% of Queenslanders can't even read!  Fancy holding a writer's festival here for you yobbos! It's a disgrace!' the Female Eunuch screeched.

That was too much! As one the crowd surged towards the podium, clutching their tablets with their hieroglypical alphabet figures they'd been etching earnestly, taking notes as the guru spoke, chipping away, chipping away. They'd show her! They did so know how to read and write and they had the pictures to prove it!

Ms Greer watched the ominous crowd nearing her safe place. Not big on negotiating skills, she continued to hurl insults - 'peasants!', 'great unwashed', 'your lives will be brutish and short!' These were difficult concepts for the great unwashed to grapple with, so they began hurling their tablets at the shrill dame until she stopped her foul haranguing.

'To the river!' an American sailor (where did he come from?) began the chant which was picked up by the Aussie seamen, all on shore leave with nothing to do but read, then the farmers, then the schoolteachers, then the housewives, then...everyone! I feared Germaine was about to be levelled. Great burly arms held her aloft and down to the river we went, chortling hideously.

The peasants quickly crafted a wicker basket and raft from bullrushes that grew profusely by the banks of the mighty muddy Brisbane River. There's a time when brawn is needful over brain. They raised her supine intellectual aging female form onto the sailing craft and launched her into the river, along with a couple of bottles of water and a packet of muesli bars and the cowboy's hat to protect her from the fierce Queensland sun. Just let her try drinking that river water! Although it's not as murky as the Yarra! She didn't have a prayer. No one broke a bottle of Veuve Clicquot against the boat as Charmaine and I snuck up and grabbed it already and ran up to the Pineapple Lounge bar. No one wished her 'bon voyage' as this was a foreign language, far too difficult for the illiterate masses to enunciate.

'Silly old bugger.' I'd know that voice anywhere. The old silver budgie, Bob Hawke, past and most popular and okker of Prime Ministers, was standing on the river bank chuckling, then crying, as Bob is wont to do. 'Come and have a beer, Bob,' we yelled as we rushed up the hill. This was going to be some party!

I was a little sad for Germaine though. I hope she sailed to more serious, more academic climes like Sydney or Melbourne, where the folk aren't quite so unwashed and really love to read their newspapers except when they're owned by rich-as-Croesus female miners who also have a thing about the great unwashed. You just try washing in the Brisbane River, Gina my girl!

You might wonder why you didn't read about this assailing of the great Female Eunuch herself at the Brisbane Writer's Festival, but the little hieroglyphic tablets are all we have this side of the border and they weren't up to the reportage, especially when they were in pieces on the podium. There were some letters we've not learned yet. And why publish a story when nearly half of the population is illiterate? Maybe when Germaine floats into Melbourne, The Age will pick up on it. Or the Sydney Morning Herald. They love an anti-Queensland story as we keep licking them every year at the Rugby! Brawn over brains again!

'Ah, only in Queensland,' they'll sigh in their upper class accents.

Two bright sparks, Charmaine and I. grabbed our Veuve Clicquot and watched proceedings from the safety of the
Writer's Pineapple Lounge overlooking the Brisbane River (as Queenslanders are wont to do...)
This is a fantasy brought on by the hot Queensland sun. There is a 'germ' of truth in it! But we sure had a mighty good Writer's Festival. More from the Ministry of Truth later...


Thursday, 20 September 2012

#RomanticFridayWriters - Challenge No 45 - Oh How I Hate My Beautiful Friend!

It's time for our bi-monthly challenge for RomanticFridayWriters. Today the prompt is 'Oh How I Hate My Beautiful Friend.' The linky is up and fingers are furiously dashing over keyboards as writers and poets come up with all sorts of takes on the theme. If you'd like to try the challenge, it's open to all! Go to the RFW Challenges Page for more info. on the prompt. If you like the idea, please join us.

Today I'm continuing the Inya and Sally series. Sally has returned to Anam Island to continue her love affair with a Fijian local. She's handed over the reins of her New York corporation and plans to stay on the island with Inya. Her tough New York BFF, Agnetha, has other ideas and isn't afraid to share them...


BFF? Best Friends Forever? 


Sally delighted in the silvery moonlight flickering across the Pacific Ocean. Her adrenalin surged. She wanted to run along the beach, scream and shout. 

Don’t you just love jet lag?

She’d just hit the pillow when she heard the thump, thump, thump. Was it Inya? Surely he knew she wasn’t up for an early-morning surf. He’d seen the wreck she was last night.

She fell out of bed, dragged on a robe, pushed her hair out of her eyes and tugged the door open – and screamed!

‘God, Sally, you’re one wrecked chick. I thought island life suited you?’

‘What the – what are you doing here, Aggie?’

‘Well, can I come in?’

Sally opened the door and watched as Aggie dragged all four designer suitcases inside, leaving them where they fell.

‘What – ?’

‘I’m glad to see you too, honey.’

‘But - ?’

‘How did I get here? Well, I caught a plane, a bus, a boat…and asked about you at the dive shop and they pointed me in this direction.’

‘What are you doing following me?’

‘I’ve been your friend since we were in trainer bras honey. The Sally I know doesn’t rush all the way across the world, give up corporate life in the most exciting city in the world, for, what – an uneducated guy on an atoll? I’m here to find out if it’s just reef and beef – or is there more to it?’

‘There’s a lot more to it. I love Inya. I plan to spend the rest of my life with him, wherever, however that works out.’

‘You’ve known him – how long was that again?’

‘Six months. Long enough.’

‘You’re taking yourself off the market after six months? Six months is too short for the TFA.’

‘The what?’

‘Together. Forever. Always. You’re already falling behind. You’re way too easy,’ she said, plopping on the saggy sofa. ‘You gotta let this guy woo you.’

‘Woo me? Now who’s out of touch?’

‘Enough sass. Guys got this primeval need to win us, make us theirs. What’s this Inya gonna think with you running over here, giving everything up for him, huh?’

‘I think he was pretty pleased, judging by his reaction when I arrived.’

‘You think? It’s early in the game. A dame needs to hold back a little.’

‘Sometimes, my friend, I hate you.’

‘That’s just how the fudge melts, honey.’


 ©DeniseCovey2012


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WORD COUNT - 397
FCA

Join us for upcoming RFW Challenges:

Friday Oct 5th   - BIRTHDAY MADNESS!
Friday Oct 19th - HOUSE OF HORRORS HALLOWEEN CHALLENGE. This is for Featured Writer.