Showing posts with label novel writing. Show all posts
Showing posts with label novel writing. Show all posts

Wednesday, 4 March 2015

IWSG. Hunting and Gathering..things I wish I'd known about the beginning stage of writing a book.

This is my IWSG post.  Thanks to Alex J Cavanaugh and his team this month for all the work they put into this so very useful meme. Click here to read more posts...

The beginning stage of writing a book.
Some authors claim that there are two phases in the book-writing journey--(i) 'Hunting and Gathering' (my term) and then (ii) Building (my term), meaning Structuring. In previous novel-writing attempts, I've spent too little time Hunting and Gathering and too much time developing structure and shuffling deck chairs that would later get blown away in a cyclone of editing. Pure waste of time.

I came across this post by the wonderful Mary Carroll Moore, - artist, author, teacher. She says it's very helpful to know what phase you are currently in, so you are using the appropriate tools. Maybe it'll even stop you from getting discouraged or overwhelmed. Wouldn't that be nice?

Hunting and Gathering Phase - the clues 
  1. You have your story idea, but maybe you still feel unsure about it.
  2. You are enjoying exploring facets of ideas, perhaps freewriting but you're not ready to edit or structure yet.
  3. You have lots more research or interviews to do (maybe you haven't even started this). You need to dig deep into the characters you want to people your book with--profile? backstory for each? character arc? These may change a lot during this stage.
  4. .
    Source *
  5. Brainstorming ideas--this can be the fun part! Let your imagination soar! It is very helpful to brainstorm with a writing group or writing friends. Many brains are better than one!
The Hunting and Gathering phase keeps on happening throughout the book journey. As Moore says: 'We cycle in and out of it, but we always start with it: an idea, a nudge to write, a character that won't leave us alone, a compelling body of information we want to share, an experience that changed our lives.'

 The Three Main Components of Hunting and Gathering (with thanks to Moore): 
  1. Inner and outer story -Inner story is the meaning, the why.  Outer story is the event or what's happening, where, with whom, when.   Most writers naturally excel in one of these. This "outer story" information is crucial, but it's only half the picture. Inner story counts equally-the meaning of the plot (what changes because of what happens) and the meaning of the research (what does it mean to your reader). 
  2. Writing in islands (instead of by outline or chronology).  Islands are single scenes, or snippets of information, or a setting description, or a character sketch. They do not necessarily have a beginning, middle, and end. Writing teachers have discovered that writers who work in islands rather than via an outline often include the inner story more readily. This is because islands are not gathered in a linear fashion. They appear in random bits. I'm finding this a great way to 'discover' my story.
  3. Girl fisher
    Is this a keeper?
  4. Brainstorming list. A primary Hunting and Gathering phase tool. Keeping a brainstorming list is the a very effective way to counteract writer's block-you always have something to write about. And if you can free yourself from having to write your book in sequence, or chronology, islands can be tackled in any order.
After you are satisfied with your Hunting and Gathering, you are then ready to start Building (structuring your novel). I'm looking forward to this! But I'm so enjoying Hunting and Gathering and writing in islands at the present. I think my writerly advice would be: take your time! What's the hurry?





  • How about you? What stage is your writing at? Have you got any pearls of great price to add?
  • If you don't have Mary Carroll Moore on your blogroll, I highly recommend her great writing advice. She also offers online courses.


Wednesday, 7 August 2013

#InsecureWritersSupportGroup - Are you a Pantser or Plotter? Ideas for outlining your novel.

Hello fellow bloggers!

There are so many terms tossed around in the writing world and today I'm going to attempt to make two clearer -- PANTSER and PLOTTER. Even if we've heard these two descriptions many, many times, they still warrant a closer look. The first time I heard these words was at a creative writing course run by Australian regency romance author, Anna Campbell, just after she'd broken into the big time through Avon Publishing. Luckily, other novice writers must have looked blank, so Anna then explained the terms to us.

At the time of the workshop above, I was definitely a pantser. I, er, didn't know there was any other way to write a novel. I've learned a lot in the ensuing years, but I confess pantsing holds a place dear to my heart. However, I've come to realise that's why I have four unfinished novels. Whether they are over 50,000 words or whatever, my lack of planning means I have to go back again and again and see what I can do to up the ante, up the stakes, fix plot holes...and this may/may not be successful. These novels may well have been published by now if I had spent more time planning and less time writing sucky first drafts. But pantsing is SO FUN!!

Okay, Insecure Writers, what do we do when we get that story idea? (All you clever plotters can leave a comment telling me how foolish I am, then move on to a more scintillating post!)

THE PROCESS...

THE WONDERFUL STORY IDEA (and I've had more than a few...)...then...

IF YOU’RE A PANTSER, THERE’S NO HOLDING YOU BACK – you jump right into your first draft. You many pause to consider your wonderful, likeable characters, have a hazy idea of the plot which will of course equal Stephen King's, decide on your setting - preferably somewhere exotic that you can google – then, kapow, start writing that novel! (It can be done in a month according to NaNoWriMo, or even less in some other novel-writing blitzes! Our local writers' centre offers a novel in a weekend fun-packed writefest). Bit like an enthusiastic carpenter grabbing a few bits of timber and hammering away with a vague idea of the house design. Well, the carpenter may end up with a great looking house eventually, but it might fall down a few times during the process...or it could collapse completely, leaving the carpenter with some raw materials to begin another house...or he/she might walk away from the building business as it's too hard.

  
One of the reasons writers favour pantsing is that we/they are afraid outlining will stifle our/my creativity. Over time I have been moving towards plotting (thank God all you clever plotters say if you're still with me!) as plotting requires intense creativity which will be invaluable when writing that first draft.

YES! IF YOU’RE A PLOTTER, YOU’LL OUTLINE FIRST – but - complications already - what sort of outline? Like most things, there are several possibilities, but luckily, there should be one to suit all of us!

A great book!
1.      You may write an outline in longhand in ruled notebooks – linear style. This is often the best way to solve convoluted problems as they arise! It’s amazing what pops up when you start writing, sort of like freewriting, and it unleases the powerful tool of the subconscious. It is good to distance yourself from the computer which leads to editing/tweaking before your thoughts are fully formed. Caveman technology (thanks K.M. Weiland for this term) can be amazingly freeing for our muses. Bonus - it keeps you unplugged from the temptations of the internet.

2.       Not a fan of the linear method? You may prefer mind maps which help look at potential problems spatially rather than linearly. Write your central theme/event at the centre of the page, then surround it with clusters of related subjects – then those subjects will develop subjects of their own. You should end up with an exhaustive list of possibilities for your story. Don’t censor – write down everything and who knows what you may come up with? This method helps to break blocks as it taps into both your subconscious and visual mind.

3.       You may construct your outline on the computer, using (most commonly) Word, or clever programs for clever people like Scrivener or the simpler yWriter.

4.       You may construct your outline on a spreadsheet – many writers swear by the versility of this.

5.       You may use note cards which are easy to shuffle around and keep tidily in a box.

6.       Other…???

Some writers fall neatly or messily between the two extremes. Where do you place yourself on the Pantser...Plotter continiuum?

Source

  • So...do you agree with me? Do you have a strong opinion either way - pantser or plotter?
  • Have you developed a tried and true outlining method over time?
  • Any advice to dyed-in-the-wool pantsers?
  • And...did you notice my sign up in the top right sidebar here for Write...Edit...Publish's new monthly bloghop? Thanks to all of you who have signed up already! Pop over to WEP, have a look and consider signing up for August 21's post on the VACATION theme. So many new options...

LIFESTYLE TIP: I've just read that sucking on water bottles gives us wrinkles around our mouth like a smoker's! Advice: Start drinking from a cup or relax the top lip when sipping from your water bottle. 

This post is for Alex J Cavanaugh's IWSG. Click the badge to read more posts.
Thank you to all the hosts!


Wednesday, 5 September 2012

#Insecure Writers Support Group - 10 Quick Tips to get that book written.

First Wednesday of the month already! Time for the IWSG again! Thanks Alex J Cavanaugh for starting this group. 

Fellow emerging writers, here's some advice I picked up from Elizabeth Sims in the Writer's Digest recently. It encouraged me, so I will pass it on. Of course, I've put my own spin on it...

10 QUICK TIPS TO GET THAT BOOK WRITTEN:

1. PAINT A TWO-STROKE SCENE


- Make one stroke visual - SHOW something.

- Make the second stroke evoke one of the other four SENSES: a sound, smell, taste, feel...

You want examples?

The rooftop was studded with chimneys. A cold wind whipped in from the harbour.

She got pregnant that same muggy night. The cracked vinyl of the Buick's back seat left claw marks on her shoulders, and she remembered the dark smell of the plowed field next to the open road.

Your turn....

2. NAIL A CHARACTER IN TWO MOVES

- Give each character a distinctive physical trait. Some memorable traits include:

* Huge hands
* A graceful gait
* A painful stoop
* Fiery red hair
* Thick bi-focals

Your turn...have fun...

- Give each character a distinctive psychological trait.

* Extremely competitive
* Annoyingly calm in all situations
* Willing to be a martyr
* Insecure about not having a university degree
* Secretive about his/her wealth

Your turn...let your imagination run riot...

Alternate showing the two traits you choose the first few times we meet the characters. Doing so will create a mental anchor for your readers.

3. FICTIONALIZE A REAL PERSON BEYOND RECOGNITION IN TWO STEPS

I first heard this advice at a Writing Course. It makes characterisation easier and more real, I was told.

- Change the person's sex.

- Make the fictional character much more physically attractive than the real person is. Then let loose and make the character as despicable as you wish.

4. PLUG A PLOT GAP WITH ONE OR TWO TRICKS

- Ignore the gap completely and hope no one notices. Even successful authors do this all the time. In Raymond Chandler's The Big Sleep, he admitted even he didn't know who killed the chauffeur. 

- Acknowledge the hole then instantly keep going. Successful fiction is studded with sentences like...

* I don't know why I'm telling you this, but...

* She didn't know how she did it, but she managed to scale that vertical steel wall and run to the car.

Have some fun with this. Will save you time and energy plugging up gaps...

5. SHIFT A MOOD WITH TWO QUICK STROKES

Mood is really about emotion, both in characters and readers. 

Check out Muriel Spark's sentence from The Prime of Miss Jean Brodie:

The evening paper rattle-snaked its way through the letter box and there was suddenly a six-o'clock feeling in the house.

- So how do you shift the mood in two steps?

Using quick writing tips mean more time for this...
Photo taken using Instagram
* First, present ONE detail. Spark used the evening paper coming in. You could use a little event like that, too, or you could use something that is physically felt by a character.

* Then, simply announce the mood change, as Spark did. The word suddenly is your friend here. 

More examples...

^ I heard the first bird sing from the morning darkness, and suddenly I felt that everything would be all right.

^ As soon as he reached the embankment, the hairs on his arms stood up. Even before looking down, he realized, Yes, death is here.

To be continued...

And I must share that today is the first day of the Brisbane Writer's Festival. Always good to celebrate books, authors and readers. The school groups were out in force...



  • We like our posts relatively short for IWSG, so I will continue the final 5 tips next IWSG post. Have creative fun with these tips. I hope they help you in your WIP.
Go here to read more IWSG entries...