Showing posts with label #romanaticsuspense. Show all posts
Showing posts with label #romanaticsuspense. Show all posts

Wednesday, 3 March 2021

#IWSG post March - #Reading preferences.

 Hello fellow IWSG-ers! Hope your month has been awesome since we last got together. Today we're once again writing about our insecurities or securities. Which is yours this month? 





Alex's awesome co-hosts for the March 3 posting of the IWSG are Sarah - The Faux Fountain Pen Jacqui Murray, Chemist Ken, Victoria Marie Lees, Natalie Aguirre, and JQ Rose! Visit if you can!

 And ... be sure to visit the
Insecure Writer’s Support Group Website!!!

March 3 question - Everyone has a favorite genre or genres to write. But what about your reading preferences? Do you read widely or only within the genre(s) you create stories for? What motivates your reading choice?


So awesome to be talking about reading. I'm an eclectic reader of usually one hundred books a year. I absorb most, but not all, genres. My first two genres I'll publish are women's fiction and paranormal. I prefer not to read too many stories in my genre, as I've been working for years on those two genres, rewriting, editing, editing, editing ... so I reach for other genres to entertain me. 

I've always been a mad fan of psychological thrillers. I'm reading more and more of those currently, helped by a generous voucher gifted to me by one of my students. Here's my latest haul.



So many awesome authors in this genre. I've joined FB groups for UK Crime and such and am learning so much. I've got nearly half of a romantic suspense written, so learning the tropes won't hurt. Can't say that's my motivation for reading crime fiction, thrillers and romantic suspense. I just love the reading experience with suspense keeping my eyes on the page.

Have a great month all!

Thanks for coming by!


We're rocketing into April You're welcome to join us for the WEP April challenge!


Woo! Feel a challenge coming on?


Wednesday, 5 August 2020

#IWSG August 2020. Jemi Fraser on surprises in writing a genre.


Hi all, friends and participants in the IWSG monthly blog hop!

This month, I'm excited to feature Jemi Fraser, long time blogger and friend of WEP, onto my blog today. I've watched Jemi burst onto the scene with not one, but four books. Her wonderful Dancing with Dementia, is doing well on Amazon. Now she's rapidly releasing 3 romantic suspense stories, an inspiration to me and I hope many others whose finger is hovering over the PUBLISH button.


Click HERE for more IWSG posts.

Alex's awesome co-hosts for the August 5 posting of the IWSG are Susan Baury Rouchard, Nancy Gideon, Jennifer Lane, Jennifer Hawes, Chemist Ken, and Chrys Fey!


I've asked Jemi to answer the IWSG question which she was happy to do. Now I'll go back to reading my copy of Reaching for Normal...

Thanks for inviting me to your blog today, Denise!!

August 5 question - Quote: "Although I have written a short story collection, the form found me and not the other way around. Don't write short stories, novels or poems. Just write your truth and your stories will mold into the shapes they need to be."

Have you ever written a piece that became a form, or even a genre, you hadn't planned on writing in? Or do you choose a form/genre in advance?

For me, this is a fascinating question!

My current Bloo Moose releases are Romance/Romantic Suspense stories. I certainly didn’t start out writing that way!

My mom had/has a HUGE disdain for anything romance. From a very young age, she encouraged me to read anything and everything from the library - except romance. Or Trash as she liked to call it.

I found so many other books and genres to adore, I didn’t feel the lack. I devoured mysteries and when a high school teacher introduced up to Fahrenheit 451, I found speculative fiction. Then fantasy, spy thrillers, and so much more. I actually didn’t read my first romance until well after my kids were born.

When I started writing, I experimented for a few years with a variety of genres and age levels, looking for my voice and my style. Looking for what truly fit me.

And I found it in romance mixed with some danger and mystery along the way.

Happy endings are important. I’ve taught enough years and met enough struggling families to know that. Everyone needs to believe that happy endings are possible. All my longer stories need those happy endings.

In the case of my shorter fiction, that dark side of life does often take over. Which does make for a fun balance in my writing.

So, yes, I think the form often finds me. How about you?




Welcome to Bloo Moose, Vermont where love is worth the risk! Small-town contemporary romance with an element of suspense. Each book is a stand-alone.

Reaching For Normal
She’s no damsel in distress. He’s no Prince Charming. But if they don’t team up it won’t be only wolves that’ll be dying.
Amazon.com.    Amazon.ca.    Apple.     Kobo.    Google Play.

Reaching For Risks
One Reno List for the B&B. One Risk List for herself. One sexy retailer who should be the last one she wants.
Amazon.com.    Amazon.ca.    Apple.    Kobo.     Google Play

Reaching For Everything
Love means nothing in tennis. Can he prove to her that love means everything in life?
Amazon.com.    Amazon.ca.     Apple.     Kobo.     Google Play

***
Jemi Fraser writes both fiction and nonfiction. Her nonfiction work focuses on the ways that dementia has impacted her family. Her fiction work varies from contemporary romance to suspense and flash fiction. Years as a teacher have taught Jemi that life is short and that happy endings are a must.

Jemi lives in Northern Ontario, Canada where snow is always a topic of conversation and the autumn leaves make everything better.

Website                   Facebook                Twitter.              Instagram     
Amazon                  BookBub                 Goodreads.        Pinterest



Thanks Jemi! It was wonderful having you here today. I hope to see you at WEP this month if it will fit into your busy schedule! We always look forward to your #flashfiction.


Wednesday, 4 March 2020

#IWSG post - It takes a tribe to publish and market a book. Here's 5 Tips to Marketing to try!

Hi friends!

If we feel insecure about our writing and marketing, we need help and that's what this group is all about. Today I've invited someone to guest post who may be able to help you with your marketing. We all know marketing is easy, right? Wrong! And it's complicated. My guest Tania Joyce tells us just how complicated it is!

Before Tania gets underway, I want to thank Alex's awesome co-hosts for the March 4 posting of the IWSG:  Jacqui Murray, Lisa Buie-Collard, Sarah Foster, Natalie Aguirre, and Shannon Lawrence! Visit if you can.


Click HERE for the list of participants to read more...

You do it, don't you? Scan the Acknowledgements in traditionally-published books. Read all about those who've helped the author - agents, early readers, publishers, researchers, fact checkers, more readers, editors, book cover artists - I usually count at least 40 people involved in one book.

So why do many self-published authors think they can do it without a tribe of their own?

I've been gathering a tribe around me for years. But the most important members of my tribe are my critique partners - Tania Joyce and Sheila Korner Grice. We formed an alliance after meeting each other at a Margie Lawson Immersion Class 3 years ago and have critiqued each other's work ever since.


My fabulous critters, Tania (left), Sheila (right)

I forgot to give Tania a word limit when I asked her to guest blog, but with the number of times I read bloggers feeling insecure about marketing, rather than try to edit this article down, I'm going to leave it to you to take what you wish from it. Some parts are so technical I shudder and roll my eyes and pray for understanding, LOL. If you, like me, have any questions, ask away in the comments.

Here we go...

Five Things I’ve Learned About Marketing Other Than Putting Half-Naked Men on my Covers

1.     You have to treat being an author like a business. It takes time, effort, a lot of trial, error, research and investment to know where you fit into the author landscape and the marketing strategies you want to undertake. The best thing though is, in this business, you can start with a small budget and work your way up. But you do have to spend money to make money.

When I first started creative writing at the tender age of 36, the first thing I learnt about author marketing is there is so much to learn. With fifteen years’ experience in corporate marketing, I thought I knew how to market, but author marketing was a whole different world. I had to start from scratch. Online marketing, social media and promotions unveiled an entirely different approach to product marketing. It’s exciting and forever changing. I knew nothing about Facebook Advertising and Amazon Advertising. I dabbled at first and have slowly built my brand awareness and product sales by reading, going to conferences and doing online courses. Enrolling in Mark Dawson’s Self Publish Formula course and studying Brian Meek’s Mastering Amazon Ads provided the foundation and turning point in my author career. I have done courses, read books and I’m involved with many online groups like 20Booksto50k. It takes time to sift through the clutter of ads, offerings and advice to find what works for you. I do well with AMS ads, but I’m still trying to master FB ads. Grrr! What works for one person, may not work for another. Being flexible, patient and persistent is key.
Mark Dawson’s SPF Course: https://selfpublishingformula.com/

2.   Finding your tribe and people who can help you is essential. There are numerous best-selling authors and industry experts out there who can help you learn and achieve success, but for me it has been fundamental in finding a group of local authors who are on the same journey. I’m fortunate enough to have joined a romance writing group when we were all newbie authors, unpublished and had no clue on how to do this authoring thing. We met at the Romance Writers of Australia annual conference. Over the years (since 2012), we’ve all been published (some traditional, some self-published, some hybrid). We’ve all done various courses, workshops, attended conferences and continued with online training. We share our findings, what’s worked, what hasn’t, and we constantly help each other. It’s incredible to have this trust and be always willing to help and share our knowledge. 

I was traditionally published. I quickly learnt that traditional publishers do not have outlandish budgets for new authors — there were no book tours, no advertisements, no book launch party, didn’t even get my books into stores. I got a couple of online blogs. That’s it. I learnt that most, if not all, marketing fell onto my shoulders. At launch, I had no idea how the book was doing, because I had no access to sales data. The royalty check at six months was my only indicator. It was dismal.

When the division of my publisher folded, I opted to get my rights back. … I’m now 100% indie. It has been the best thing. I got control. I got access to data. I could now change covers, blurbs, run ads, manage keywords, fix that one annoying typo in my manuscript, see instant sales data and ad performance all within a quick click. While the learning curve has been steep and challenging, it has been totally awesome!

3.       Love your data. You may hate it, but you have to do some maths. The platforms you sell on eg Amazon, provide you with a bucket load of information, but it’s a matter of sifting through it, and analysing your results so you can work out what is and isn’t working, only then can you work on improving and scaling marketing strategies.

Learn what your clickthrough ratio is (Impressions/clicks), your conversion rate (clicks/sales), and if writing a series, your readthrough rates (sales_Book2/Sales_Book1 etc). They are vital statistics for advertising purposes and to see if your books are actually selling.

The unfortunate thing here is places like Amazon do not give you all the information in one nice report. Current AMS ads reports do not include Kindle Unlimited information. You have to download data from different places to work out your ratios and rates, but it’s worth it.  I have this down to a fine art. It takes me 15-20minutes a day to download my data, enter it into my spreadsheet, add in my expenses and sales figures. I can see what ads are performing, the ones that are not, and make any tweaks if necessary.

Out of my six books and 1 x duo bundle, I have 213 AMS ads running. My average ad clickthrough ratio is 1:930 (1 x click per 930 impressions…which is good), my clicks to sales is 1:6 (one sale every 6 clicks…freaking awesome!), my readthrough on KU is 75%. My ROI is 43% (and slowly getting better.) Learn to love your data.

While the information in this book is dated in regards to cost-per-click data and some ad types have changed, this resource has all the formulas in it and is a great place to start for ads. Brian Meeks: Mastering AMS Ads: https://www.amazon.com/dp/B072SNXYMY

4.       Be prepared to change. The market is a continual moving set of goal posts and you must be prepared to move with it. Facebook and Amazon continually change and update their algorithms. What works for you one month, may not work the next. 

Know your genre, sub-genre, analyse the top-selling authors in your genre, study their image, their book covers, their blurbs. Use this research to market your books. (Sorry…half-naked men on covers works for my genre!) When I first got published, I didn’t want bare-chested men on my books. I wanted to be professional and classy. My books didn’t sell. I changed the covers and instantly saw a change in sales. Follow market trends in what is working in artwork and graphic design. Your cover needs to sell your book, genre, capture the eye, and be in line with your branding and image.

5.       Be relevant. This is critical for advertising. Learn to target correctly. Use refined keywords, target like-authors, similar book titles and niche genres. Platforms like Facebook and Amazon “learn” through its algorithms where to place your ads and to which customers it should show your ads. Just because you like reading Stephen King novels, don’t use “Stephen King” as a keyword if you write sweet romance. It’s not relevant.

I write rock star romance, which falls into the category of New Adult Romance. But this category includes everything from vampires, shapeshifters and witches, through to bad boys, bikers and billionaires. It is important to zone in on your niche. I make sure I only target ‘rock star romance’ books, authors and keywords. It takes more time but conversation rates will be better and making sales is what it’s all about.

As an indie author, marketing is a constant and essential part of my business. New ads, new graphics, new content for social media posts, promotions, learning and data analysis all have to fit around writing the next book and my family. Time management is critical. A great support network is imperative. I’m fortunate to have the best critique partners in the world. Our tight timeframes keep me from spending too much time on Facebook, obsessing over ads and drowning in information overload. Love your data, embrace marketing, make it fun! And hopefully make money along the way!

About Tania Joyce

I'm an author of New Adult and Contemporary Romance novels. My stories thread romance, drama and passion into beautiful locations ranging from the dazzling lights and glitter of New York, to the rural countryside of the Hunter Valley in Australia.
I like to write about strong-minded, career-oriented heroes and heroines that go through drama-filled hell, have steamy encounters and risk everything as they endeavour to find their happily-ever-after.
I call Brisbane, Australia, home.

LATEST RELEASE
RAPT – The Price of Love. Everhide Rockstar Romance Series Book #3
Genre: Romantic Suspense

Today I was supposed to marry the girl of my dreams. She didn’t turn up.

Life in world-famous rock band, Everhide, has pushed Kyle's and Gemma's hearts, careers and friendship to the limits. But they are soulmates. Their love is profound. Intense. Getting married is their dream come true.
But not everyone feels the same way.
Someone obsessed with Kyle wants Gemma dead.


DEAD!
Surely the danger isn't real? It's just some crazed fan pulling a prank.
When the threats escalate, Kyle's over-protectiveness kicks in and Gemma's grip on sanity wears thin. With concerts and festivals to play before their big day, she won't let anyone derail their wedding plans.
But one false move puts her in danger.

When life teeters on its edge and she risks everything she loves, can Gemma find the strength to let Kyle into her guarded heart before it's too late?

If you like sit-on-the-edge-of-your-seat romantic suspense, full of intrigue and heart wrenching romance, RAPT – The Price of Love will captivate you. With strong heroines, and intense heroes, this rock star romance will make your heart race right up to the epic emotional ending. Be prepared. Grab your copy today.



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@TaniaJoyceBooks @DeniseCCovey, #author shares #marketindtips  https://dencovey.blogspot.com/2020/03/iwsg-post-it-takes-tribe-to-publish-and.html #amwriting #ammarketing #amazonads

Learn some #marketingtips https://dencovey.blogspot.com/2020/03/iwsg-post-it-takes-tribe-to-publish-and.html @TaniaJoyceBooks @DeniseCCovey,#amwriting #ammarketing #amazonads